These are several of the small molas or appliques that I got.
This first one is my very favorite and you should double click to see it more clearly. It is lots of spiders and exquisite workmanship. Just had to have it!
This second one was very unusual and Priscilla thinks that it may be indicative of a new trend. It is actually the reverse applique done on top of a printed piece of fabric. The base fabric is white with big black swirls. They somehow cut out so carefully that there is just a slight outline of the black swirl showing and looks like it is another layer of reverse applique but it isn't. I loved it! Their workmanship is incredible. On some of these pieces there is probably 30-40 stitches to the inch to tack down the appliques. The only thing I have seen close is some of the quilts from the early 1800s in the US that were at the Rochester Museum and Science Center (where we were documenting their collection).
The above molas were all quite small (about 7 in square) while this next bunch was the next "larger" size and were about 12 x 18 inches.
This first one is my very favorite and you should double click to see it more clearly. It is lots of spiders and exquisite workmanship. Just had to have it!
This second one was very unusual and Priscilla thinks that it may be indicative of a new trend. It is actually the reverse applique done on top of a printed piece of fabric. The base fabric is white with big black swirls. They somehow cut out so carefully that there is just a slight outline of the black swirl showing and looks like it is another layer of reverse applique but it isn't. I loved it! Their workmanship is incredible. On some of these pieces there is probably 30-40 stitches to the inch to tack down the appliques. The only thing I have seen close is some of the quilts from the early 1800s in the US that were at the Rochester Museum and Science Center (where we were documenting their collection).
I just had to have these iguanas!
Anyway, I was back marbling today. The morning started pretty gloomy which inspired me to work in bright brights -- primary pallette which I almost never do -- my favorite pallette is secondary colors of orange, green and purple. Primary just seemed right today though. As the day cleared though, I switched to earthtones again -- using up all my prepared white fabric and all but about two pieces of the "uglies". The weather has not been cooperating at all as it has been raining every day and is supposed to for the rest of the week. So alum-ing more fabric will have to wait and I will have to get back to some sewing.
Anyway, I was back marbling today. The morning started pretty gloomy which inspired me to work in bright brights -- primary pallette which I almost never do -- my favorite pallette is secondary colors of orange, green and purple. Primary just seemed right today though. As the day cleared though, I switched to earthtones again -- using up all my prepared white fabric and all but about two pieces of the "uglies". The weather has not been cooperating at all as it has been raining every day and is supposed to for the rest of the week. So alum-ing more fabric will have to wait and I will have to get back to some sewing.
Just my basic blue and lavender pallette which I switched to after a few of the bright primaries!
How is this for July 4th!
This was an interesting exercise although not a very pretty piece. It shows what happens when you keep adding color just in the middle so there is more space on the outer perimeters for the paints to expand. The surface tension was different all over and I may play some more with this effect. Does give a feeling of depth.
Just another of the stripey primary pieces.
I will have to wait for the sun to come out before I can take pictures of some of the second bunch I did today. I have some Seminole strips that I made a LONG time ago that are in red, yellow and blue pallette so these pieces will probably end up with those in another jacket somewhere along the way!